

First Presbyterian Church
Cumberland, MD - Rebuilt by Lewis & Hitchcock, 2006
The proposal from Lewis & Hitchcock, Inc. was to rebuild the organ, keeping the original tonal plan, but using unit electro-pneumatic action for the manual windchests, to eliminate the problems of pneumatic duplexing, and rebuild the Gallery division into a true choral accompaniment organ.
What this means in layman’s terms is that we wanted to restore the original sound of the organ, make it mechanically reliable for a long time, and provide enough organ sound to accompany the choir in the rear gallery.
The original sound of the organ had been changed over the years, in an attempt to update it to a more modern sound. While well intentioned, it had been done by several persons in conflicting styles, and the result was that the organist had a difficult time coming up with the right sound for the music or to accompany the choir. The action of the instrument had also deteriorated over time, causing notes that would not play or would not stop playing. The organist gradually stopped using what didn’t work well, until very little of the organ was useable. In addition, the portion of the organ that was in the gallery was not originally intended to accompany the choir, and there was little for the organist to select from.
Our work consisted of removing the organ to our factory a section at a time. In the factory the mechanisms were renewed. The pipework was also returned to the original positions as much as possible. What had disappeared over the years was either replaced with duplicates, or with a more modern sound that would blend with the original pipework.
In addition the Gallery division was doubled in size, so that the organist would have two manuals and pedal to use to accompany the choir. The former Gallery division is now a complete Gallery organ, and can be used by itself or in combination with the Chancel organ.
As the various divisions were returned to the church, the pipework was voiced and regulated to find its proper place in the tonal spectrum of the instrument. The result is a very flexible instrument that will provide music for the church for generations to come.

The Great, Choir and Pedal divisions being set up in the factory. This section contains two 16' open wood ranks.
Great Organ
1.
16' Diapason
73 pipes
2.
8' First Open Diapason
61 pipes, 1-12 new
8' Second Open Diapason
from #1
3.
8' Doppelflute
73 pipes
4.
8' Melodia
85 pipes
5.
8' Gemshorn
61 pipes
4' Octave
from #21
4' Harmonic Flute
from #22
6.
2' Mixture III
183 pipes, moved
7.
8' Tromba
61 pipes, new
Chimes
20 tubes, in Gallery
Gallery Great (enclosed with Gallery Swell)
8.
8’ Echo Flute
85 pipes
9.
4' Principal
73 pipes, new
4' Fern Flute
from #8
10.
2 2/3' Quint
61 pipes, moved
2' Principal
from #9
1 1/3' Quint
from #10
Swell
11.
16' Lieblich Gedeckt
97 pipes
12.
8' Violin Diapason
73 pipes, 1-24 new
8' Gedeckt
from #11
13.
8' Salicional
73 pipes
14.
8' Voix Celeste (tc)
61 pipes
4' Principal
from #12
4' Gedeckt Flute
from #11
4' Salicet
from #13
15.
2 2/3' Nazard
61 pipes, new
2' Flute
from #11
1 1/3' Larigot
from #15
16.
8' Oboe
73 pipes, moved
Tremulant
Gallery Swell
17.
8' Rohr Flöte
73 pipes, moved
18.
8' Muted Viole
61 pipes
19.
8' Muted Viole Celeste (tc)
49 pipes
4' Rohr Flöte
from #17
2' Flute
from #8
20.
8' Petite Trompette
61 pipes, moved
Choir
21.
8' English Diapason
73 pipes, 1-12 new
8' Doppelflute
from #3
22.
8' Harmonic Flute
73 pipes, 1-12 new
8' Gemshorn
from #5
23.
8' Celeste
61 pipes, 1-12 new
4' Traverse Flute
from #4
2' Flute
from #4
24.
2 2/3' Cornet II
122 pipes, new
25.
8' Clarinet
61 pipes
Tremulant
Harp
49 bars
8' Tromba
from #7
Pedal
32' Resultant
from #27
26.
16' First Open Diapason
44 pipes
16' Second Open Diapason
from #1
27.
16' Bourdon
44 pipes
16' Lieblich Gedeckt
from #11
8' Diapason
from #1
8' Bass Flute
from #26
8' Bourdon
from #27
16' Trombone
12 pipes, new & #7
Gallery Pedal
16' Gedeckt
12 pipes, new, & #8
8' Flute
from #8
4' Rohr Flöte
from #17
Pedal on Any Manual Piston Adjuster
Austin Console, all standard couplers and combination action